Limited Edition White Label 12-inch single – Red Vinyl. Download code included.

The story of this release, in the words of Keith Seatman:

“When recording the album “Sad Old Tatty Bunting”, I decided it needed a spoken word track. I wanted to mix this in the style of The Velvet Underground track, ‘The Gift’, with the vocals hard panned to the left and music to the right. I approached singer/songwriter Douglas E Powell and asked him if he would be interested in writing a short story for this purpose. Doug came back to me sometime later with a 13/14 minute tale about ancient giant crabs and a burial at a place called ‘Bevill’s Leam’. I loved the story, however it was too long, way too long. There was only about 7 minutes spare for the last track on the album. So Doug went back to work on it and presented me with a shortened version. The voice was recorded and mixed, hard panning left and right.

In the Spring of 2022 I started thinking about the full version of ‘Bevill’s Leam’, and started to think that we should revisit the track in order to record and release the long version using Doug’s full text as originally planned. I told my label, Castles in Space that I wanted to do the 12” in the style of a DIY white label. We agreed on no cover artwork and only a white sleeve with an A5 paper insert. Taking inspiration from Public Image’s “Metal Box” a red typewriter font was chosen for all the text. Morrison at CiS proposed a red vinyl pressing because he’s like that. So, with all the label details worked out, the last remaining problem we had was that Doug no longer had the original full story! So in double quick time he set to work and re-wrote and re-recorded the whole thing. It turned out Longer, darker and better.

Myself and long time friend and producer Jack Packer set to work remixing the new version of ‘Bevill’s Leam’. Some new tracks were laid down with additional sounds and effects and then Doug’s new extended vocal (sounding amazing) was sewn into the mix. This new version of the track is very different from the album version, having a fuller sound and sharper clarity. Doug’s vocal was perfect, and the new musical additions created a more balanced and atmospheric feel. The B side instrumental version was slightly extended, and again some new sounds and effects added.”