There are imagined landscapes we all carry within us—dreamed, half-remembered, or just beyond reach. Lofoten, the new album by Cate Francesca Brooks on Clay Pipe Music, is a musical reflection on one such place.

Located above the Arctic Circle, Norway’s Lofoten Islands are known for their dramatic peaks, open seascapes, and distinctive red fishing cabins dotting the shoreline. Though Brooks has never visited this remote northern region, it became an unexpected source of inspiration.

The project began when Cate listened to a narrated “sleep story” set in the islands. Intrigued, she researched the region and found herself drawn to its stark beauty. “I fell in love with creating an impression of somewhere I would probably never visit, but felt a real affinity with,” she explains.

This ambitious album translates that connection into sound. Through carefully crafted electronics, melodic themes, richly layered textures and big production, Brooks captures the essence of Lofoten—its icy light, vast horizons, and profound quiet.

“The other thing that happened around the same time was the first lockdown here in the UK. I had taken the opportunity of having some extra time to learn a new (to me) method of synthesis; that of the Synclavier, which uses one aluminium wheel and an array of buttons to control every parameter of the sound.

“I took to it with intrigue and before I knew it, I had built up hundreds of original sounds, many of which were perfect for the textures I could hear in my head for Lofoten. So that (along with a Prophet synth and a TR-808) became the sound world.”

Lofoten stands as an evocative testament to how music can transport us to distant places, transforming geographical limitations into imagined creative possibilities.